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Summary

If you're shooting anamorphic, not all mirrorless cameras are created equal. In this video, I'm joined by Matt Frazier to break down why we believe LUMIX has the best mirrorless cameras for anamorphic filmmakers.

We dive into the features that actually matter—from open gate recording and anamorphic de-squeeze options to image quality, monitoring tools, stabilization, and why these cameras have become our go-to choice for cinematic filmmaking. Whether you're using budget anamorphic lenses or high-end cinema glass, we'll show you why LUMIX stands out from the competition.

In this video:
🎥 Why LUMIX is built for anamorphic shooters
📐 Open Gate, de-squeeze, and recording options explained
🎬 Real-world shooting experiences with anamorphic lenses
🤝 Featuring Lumix Head of Business Development,Matt Frazier
💡 Tips for getting the most out of your anamorphic setup

If you've been considering shooting anamorphic or you're looking for the best camera system to support it, this video is for you.

👍 Like the video if you found it helpful, subscribe for more filmmaking content, and let us know in the comments what camera you think is best for anamorphic shooting.

#Lumix #Anamorphic #Filmmaking #Cinematography #MirrorlessCamera #LumixS1RII #LumixS1H #OpenGate #CinemaLenses #MattFrazier

TimeStamps ⏲️
0:00 - Intro
1:33 - History of Lumix (Matt)
4:32 - Internal De-squeeze
6:06 - Anamorphic IBIS
10:53 - Recording Qualities
13:58 - New S1ii features
15:43 - Outro

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The gear I use:

CAMERA:
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See more into my life on instagram @asrieljaksadp
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