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Summary

In the battle for cinema camera supremacy, the Sony FX5 and DJI Pocket 4 Pro are making massive waves with their bold claims of class-leading dynamic range. While DJI boasts a staggering 17 stops of dynamic range and Sony counters with a professional 16 stops, does this technical spec actually translate to a better image? For many creators, the quest for a cinematic look often leads to disappointment when these high-end sensors deliver a clinical and digital image rather than the soulful, filmic aesthetic we crave. Despite the impressive LOG profiles and color science marketing, there’s a fine line between raw data and true cinematography. We’re diving deep into the image quality of these two powerhouses to see if they can truly mimic the motion picture feel or if they’re just another example of digital sharpness over film-like character.

If you buy today's gear through my affiliate links, you can make a movie without color grading to keep the full 17 stops of DR.
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Sony FX5 US https://bhpho.to/4batiq5
Sony FX5 CAD https://amzn.to/45pd9da
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