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Stopping down your aperture might seem like a good way to gain sharpness and depth of field, but at what cost to the Toneh? When you move away from shooting wide open at f/1.2 or f/1.8, you risk losing that creamy bokeh and background blur that makes your footage look truly cinematic. This video explores the tragic downsides of lens diffraction, losing your shallow depth of field, and why full-frame equivalence and sensor size matter when you're trying to maintain that professional subject separation. Don't let your mirrorless camera or cinema lens turn into a deep-focus smartphone nightmare—learn why keeping the fast lens aesthetic is essential for the ultimate bokeh balls and avoiding the "flat" look of smaller apertures.

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